" Monorail "

Monorail Monday Sunset

Happy Monday everyone! For today’s post, I’d like to go through the steps I took to capture this photo over the weekend:

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Everyone loves an epic monorail shot. This one was actually the second photo I had taken of this monorail passing by. The first one was on the other side of the walkway facing the Odyssey building and the Test Track building. I completely botched that one, but as soon as I snapped it, I played Disney Frogger and evaded a bunch of people making their way through this part of the park to also capture the monorail coming through past this beautiful Flower and Garden Festival bed and the Imagination pavilion.

So, let’s talk settings. I knew that it was a pretty nice sunset, so I wanted to capture the colors in the sky. The water wasn’t as important, so I actually dialed down my exposure compensation to a -1. This made the edit on the computer a little more complicated, but it got me the oranges and yellows, so I was ok with it. I was in Manual mode, and had set my shutter speed to 1/320, my aperture at f/4, and my ISO to Auto. Since I would be running across the walkway, I really wouldn’t have time to set up everything and figure out the ISO on my own, so I elected to use the Auto ISO. With those settings, my camera decided to give me an ISO of 800.

Once getting home and seeing the shot on the computer, it was pretty underexposed. But, the colors were there, and the last bit of sunlight for the day was kissing the monorail, so I was happy. I warmed up the White Balance a tiny bit, and then did my normal editing process, which includes toning down the highlights a tad, lifting shadows, adding some contrast and saturation, and then sharpening. On a normal daytime image (and even some nighttime ones), that does the trick. But with this one, there were some other complications. The water area was essentially black. So, in Lightroom, I clicked on the little brush in the Develop module, and set my brush to be +1.20 on the Exposure dial, and I proceeded to brush the whole bottom of the photo. I got what you see in the finished result, but from pushing the sensor that way, there was some noise, so I also added some Noise Reduction, but only to the area that had already been brushed.

I also thought the sky could use a little bit more punch, so I created a second brush, boosted the saturation to about +35, and then brushed the entire sky.

At that point, you have the image seen here. Sunset images do tend to take a little more work to get going, but once you arrive at a point you like, they are rather satisfying. Have you ever shot the monorail, or anywhere at WDW at sunset? What tips do you have for everyone? Please let us know in the comments below.

For those curious, this was shot with the Sony a7 and the Rokinon 14mm f2.8 lens, both of which can be purchased at our Amazon store, along with anything else you may need for your daily life. Anything you purchase after clicking the link helps keep the site alive, at no cost to you! Thanks for reading!

Dark Skies at Epcot

One of the really interesting things about Florida is how strange and dramatic the weather can be. In the summertime, it will be bright and sunny one minute, and then a torrential downpour will happen and be finished within 10 minutes. Or during the fall/winter, the highs can bounce around between 50 and 80 multiple times a week. That being said, when I was visiting Epcot this weekend, I got to have a pretty neat weather event that I’d like to share with all of you. When I left my house for the park, it was sunny with signature puffy Florida clouds. But, by the time I got to the park all of 15 minutes later, there was a nasty storm blowing in with some very dark and ominous clouds. What that led to was the sun still poking through just a little bit, lighting most of the things in the park, but with this very dramatic and ominous sky in the background.

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Usually when we think of rain and storms, that’s usually the time we put the camera away. But, in this case, I had a few minutes before the rain came where I could keep shooting and come away with some photos that are quite different than the norm.

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When editing these photos, I cooled down the White Balance just a bit to add to the ‘dreary’ feeling they had. I also made sure to slide the Blacks slider much farther over in Lightroom than usual, and I added a substantial amount of more contrast than usual as well.

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I just think it is very interesting how by the time I made it to Norway, the dark clouds surrounded the entire park, but there was just enough light poking through those clouds to illuminate the viking here. I also added a touch of vignetting to all of these shots to make them a bit darker to go along with the mood set by the weather.

Overall, there are some times where all we want are the nice, big, and blue skies that Florida treats us to. But every once in a while, a change of pace can be nice and it was fun to shoot these couple of photos before the rain got bad enough that the camera had to go back into the bag.

Have you ever shot the parks in or before a storm? If so, we would love for you to share some of your photos with us in the comments below. For those curious, everything in this post was shot with the Sony a7 and the Zeiss 55mm F1.8, both of which can be purchased at Amazon. Thanks for reading!!